Her recent practice primarily focuses on the vessel. Having opportunities to travel remotely in Australia, she has developed collections of work interpreting aesthetics unique to the Australian landscape. Using the vessel as her canvas, she expresses notions of the sublime in these remote places where harsh extremes in weather sculpt the landscape. Experimental surface applications, most often using enamel articulate the beauty of surfaces she observes in the landscape – through both a wider panoramic view to detailed and close observation at a macro level.